Flooring

MARBLE & STONE FLOORING

Floors set out on paper before a single slab is cut.

Glamour Global Stone — Service

Marble & Stone Flooring

Simple, patterned or broken marble — set out on paper, dry-laid in the workshop, then installed once.


A stone floor is decided long before installation day. The block a slab was cut from, the order the pieces are laid in, and where the first joint lands all determine whether the finished floor reads as one continuous surface or as a collection of tiles that happen to share a colour.

Most flooring complaints are not material faults. They are sequencing faults — a dark slab beside a pale one, a cut sliver at the most visible doorway, lippage you feel underfoot at the threshold. Those are decided by planning, and planning is where we spend the time.

We work in three lays. A simple lay uses uniform tiles or slabs in a straight or staggered grid, with the batch tone-sorted before anything is fixed. A patterned lay builds chevron, herringbone, Versailles, basketweave or a bordered centre medallion, cut on a waterjet so two stones meet in a hairline joint. A broken-marble lay uses irregular offcut pieces as a continuous mosaic — the most cost-efficient route to a genuine marble floor across a large area, and no two floors come out alike.


How the floor is decided

Block-matched slabs

Slabs for one floor are taken from the same block wherever the area allows, so vein and ground tone stay consistent across the whole space.

Dry-laid first

Pieces are laid out and numbered before fixing. You see the actual arrangement of the actual stone, not a sample and a promise.

Substrate checked

Screed level, moisture and movement joints are checked before laying. A flat floor is a substrate outcome, not a stone outcome.

Sealed on completion

Porous stone is impregnator-sealed after grinding and polishing, with re-seal intervals explained in writing rather than left to guesswork.


What the work covers

Flooring is quoted as a complete scope. The items below are part of the job, not variations added later.

Site measure and set-out drawingScaled layout showing joints, cuts and starting point, approved before cutting
Slab selection with youChoose the actual slabs at the yard — not a 100mm sample chip
Tone and vein sortingWhole batch sorted and numbered so light and dark do not alternate
Waterjet and CNC cuttingPattern work, inlays, borders and medallions cut to drawing
Substrate preparationLevels, moisture check and movement joints addressed before laying
Skirting and thresholdsMatching skirting, step nosings and transitions to other floor finishes
Grinding and polishing on siteLippage ground flat and the floor polished as one plane, where the lay calls for it
Sealing and handover cleanImpregnator seal applied and the floor handed over clean, with care notes

Typical specification

MaterialsMarble, granite, sintered stone
Floor thicknessCommonly 18–20 mm
FinishesPolished, honed, leathered
LaysSimple, patterned, broken
CoverageResidential & commercial
Set-outDrawing approved first

The difference between a good stone floor and an expensive-looking mistake is almost never the price of the stone. It is whether somebody planned where the joints land before the adhesive came out.

Marble suits living areas, formal spaces and anywhere the floor is meant to be the quiet luxury of the room. Granite handles heavier traffic, entrances and areas that see grit from outside. Large-format sintered stone gives you the fewest joints across an open-plan floor and shrugs off staining, which makes it the practical choice for households that would rather not think about their floor at all.

We will tell you plainly when a stone is wrong for a room. Polished marble at a main entrance where sand is walked in daily, or in a wet area with no fall, will disappoint you within a year — and we would rather redirect the specification than install something we know will not last.

What's Included

Simple lay

Uniform tiles or slabs in a straight or staggered grid. Tone and vein are sorted across the whole batch first, so the floor reads evenly instead of patchy.

Patterned lay

Chevron, herringbone, Versailles, basketweave, borders and centre medallions. Waterjet cutting lets us inlay two or more stones to a drawing with joints under a millimetre.

Broken marble

Irregular offcut pieces laid as a continuous mosaic. The most cost-efficient way to floor a large area in real marble, and visually unrepeatable.

Set-out drawing

You approve a scaled layout showing every cut, joint and starting point before work begins — so cuts land where you expect them, not against a doorway.

Get Started

Ready to transform your space? Contact us for a consultation.

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